KUYANGA Complete Document Written By Nabilancy Luv



King Abdallah stands as a just monarch, deeply devoted to his people. His familial realm consists of three wives and two offspring. Saratu, fondly known as Mamah, assumes the role of the household’s matriarch, being the first wife. The third consort is King Abdallah’s bride, named Fatima, yet affectionately addressed as Fatu.

Ummah, an envious and influential woman from the royal lineage, employs her power within the king’s domain, leveraging King Abdallah’s favor for her own ends. The house finds itself enmeshed in her maneuvers, even facing rivalry from her son, Prince Anwar. Gata Awaje, a peer of Anwar, inflicted harm upon him, resulting in Anwar’s scholastic pursuits, commencing from high school and culminating upon his graduation.

News of Anwar’s plight reached the king, who dispatched a letter summoning him. An impassioned debate ensued, culminating in Anwar’s assertion that he couldn’t wed Anwar’s family’s choice, fearing potential demands.

Anwar’s role is to identify morally questionable women; his interests have led him astray, aligning with negative influences. A propensity for revelry, alcohol, and dancing has led him down a misguided path. Despite this, he’s captivated by a woman named Rihanna, whom he labels “Ronce.” Anwar acknowledges her resilience and skill in romance, contrasting her with other women who’d ultimately attack him. He admires her ability to balance privilege and jealousy, though disagreements often see him retreat to the arms of his choosing, causing strife.

Anwar, known for his kindness and empathy, harbors aspirations akin to a foreign monarch, driven by an unwavering belief in his capability to shape events. His mother, while supportive, reminds him that he’s destined for kingship, cautioning against the trappings of complacency.

King Abdallah remains perturbed by Anwar’s actions, cognizant of his mother’s influence. His mother, who resided in Europe, urged him to rest. Abdallah’s somber demeanor hints at his concern.

Among the wives, MAMAH hasn’t borne children, in contrast to FATU, who birthed Lamido, a five-year-old. Ummah’s aversion toward Fatu stems from her prolonged absence and subsequent pregnancy.

MAMAH maintains her elegance without cosmetic alteration, embodying a woman unswayed by societal standards. Despite their maternal roles, each wife raised Anwar as their own, and he developed a close bond with Lamido as they matured.

Upon attending university, Anwar’s potential move to Europe sparked controversy. Fatu, concerned about European influence, resisted the notion. King Abdallah ultimately understood and respected her perspective.

Despite his return to Nigeria, Anwar’s lifestyle remains unchecked, deeply embedded in club culture and the pursuit of women. Rihanna, unsettled by his absence, awaits his return.

Anwar contemplates seeking the king’s guidance, fostering a sense of responsibility within him. As he nears the palace, he’s greeted by servants and maids, a precursor to his eventual role as king.

In the stable, Anwar encounters a Yakurawa woman named Kuyanga, who possesses a missing eye and a weathered appearance. Their interaction is brief, revealing her menial tasks. Her tremulous response suggests a subordinated position.

As the narrative unfolds, a complex web of relationships and aspirations takes shape, unveiling the dynamics within the kingdom’s household and its impact on Anwar’s life.

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