GUGUWAR ANNOBA Complete Document Written By Zaynerb Muhammad Kabir



In the quiet neighborhood of Ring Road in Jos, Plateau State, there exists a distinct contrast. While the surroundings are beautiful and well-kept, it is unusual to find inhabitants in Anguar.

One striking feature is a magnificent two-story house painted predominantly red with dark brown stripes. The upkeep of the house seems to be a low priority, evident in its disarray.

Upon entering, a surprising sight unfolds—a twelve-year-old girl named Ilham is diligently engaged in laundry. Clad in pants and a shirt, her hair is neatly arranged in four braids. A younger girl, not more than four years old, approaches Ilham, narrating a tale of spilled food and tears.

The older girl, Mi’kewa, responds with sympathy, addressing Ilham’s supposed oversight. The children, numbering seven in total, include three boys—Mujahid, Ajmal, and Jawad—and four girls—Hibba, Nihat, Mufida, and Ilham.

Nihat, experiencing a headache, receives comforting words from Ilham. The eldest, Hibba, takes charge, offering medicine and advising her to rest. The household dynamic is a blend of familial care and shared responsibilities.

As evening approaches, Hibba proceeds to prepare dinner, consulting the children on their meal preferences. Despite the challenges, a sense of joy pervades the household.

After the Maghrib prayer, Hibba serves dinner, and the children are instructed to perform the Isha prayer. A routine of cleaning, organizing, and preparing for the next day ensues. Hibba’s resilience and dedication to her responsibilities are evident, as she manages both the household and the well-being of the children.

By ten o’clock at night, Hibba completes her tasks and retires to her room, carrying a quiet demeanor. The narrative captures the challenges and responsibilities she shoulders, emphasizing her strength in the face of adversity.

The morning unfolds with Hibba’s early rise to prepare a bath and breakfast. The routine repeats, reflecting Hibba’s commitment to ensuring the well-being of the children in her care. The narrative paints a vivid picture of the struggles and triumphs within the household, showcasing the resilience of a young caretaker.


In the modest surroundings of Rikkos, a small house stands with a simple entrance door lacking any paint. Hamdiyya, a seventeen to eighteen-year-old girl, is the focus of the narrative. Engaged in a conversation with her lover, Ameen, their dialogue reflects the challenges and dreams of their young love.

Ameen expresses his intention to marry Hamdiyya after completing his exams, promising to provide a dowry for her. The exchange between the two exudes affection and optimism for their future together.

After their conversation, Hamdiyya returns home, where she engages in household chores, including washing laundry. The narrative captures the essence of a young love in the midst of modest surroundings, highlighting the dreams and aspirations of the characters involved.


A mysterious and dangerous forest in India houses a solitary house with a roof made of red cloth. The forest is marked by an eerie and chilling laughter, inducing fear in anyone who hears it. The narrative describes an unsettling scene within the house, where individuals dressed in red clothes engage in rituals and chants.

A woman covered in blood stands at the forefront, emitting smoke from her mouth. The group seems to be preparing for a significant undertaking, with the eldest among them announcing their return and a new mission involving the search for a woman to marry.

The narrative leaves a sense of foreboding, shrouded in mystery and the supernatural. The presence of unsettling elements within the forest and the house adds an air of suspense to the story.

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